Analysis of Live a Life of Significance Video

In the keeping attention/content delivery section of this program, I talked about how important it is to utilize the concept of scenes in your speaking.

The primary tool that the "Live a Life of Significance" speech by Tim Tebow utilizes is its use of scenes.

I'll never forget the main point of this five minute talk and that's because his speech was structured with scenes to make the most impact and to cement the main point of his talk into his audience.

Again, the main point of his talk is a simple one. 

It's so simple it's probably cliche.  So, many other people have tried to deliver this message before, but without the same impact.

But, because of the way Tebow delivered this simple message, this simple message really sinks in.

And the way he delivered it was through the use of scenes.

So, let's go over the scenes he used in this five minute talk:

Scene 1: The talk starts with him describing his college football days and how the "Gator Walk" made him feel successful.

Scene 2: Tebow then transitions to a story about a photographer in Africa who takes a famous picture and the photographer's internal dilemma and struggle while taking this very famous picture.

Scene 3:  Then, he transitions to a different scene involving the photographer.  This time the scene involves the same photographer who has come back home to the US.  In this scene, the photographer wins the Pulitzer Prize for this photo. He achieves his profession's most coveted and highest honor.

Scene 4:  Then four months later, that same photographer took his own life.  This is a short scene, but it's jarring and grabs your attention.

Scene 5:  Tebow then transitions to the audience, which is very key. He brings all these scenes back to the audience who wants to know badly right now what the point of these stories are.

No matter what scenes you use to build up to your main point, you always need to bring it back to your audience.

The main point of this entire talk is finally touched up, which is that a life of significance is much more meaningful than a life of mere "success".

Scene 6:  Finally, in the last part of this talk, he introduces the catchphrase about how "success is not enough".  This underscores the main point of his entire talk. 

This scene is important because this was the main point of his entire five minute talk. 

But, he had to go through various scenes to introduce it so that when finally does introduce the main point, it is VERY IMPACTFUL.

And when he introduces this catchphrase, his energy and emotion are at their highest in the entire talk. 

The use of scenes and the contrast in energy and emotion is what makes this talk by Tim Tebow so powerful and unforgettable.

Of course, he could have structured his entire talk differently. 

He could have just come out and said to the audience:

"I'm Tim Tebow.  I've had a lot of success in my life and let me tell you, success is truly meaningless."

However, this straight-to-the-point approach would not have been powerful or impactful and his point would have been forgotten immediately by his audience.

But instead, he used juxtaposed different scenes in his talk to powerfully build up to his point and make it meaningful.

Do you see how powerful this template is?

I hope you take this template and use it over and over to make an impact and create significance in this world!





THE MILLION DOLLAR MOUTH: HOW TO SPEAK SO PEOPLE GIVE A F-CK

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INTRODUCTION TO EXPOSITORY SPEAKING

  • What Is Expository Speaking
  • The Faculty
  • The Formula For Elite Expository Speaking
  • What Elite Expository Speaking Looks Like
  • The Most Important Persuasion & Influence Book In The World

GRABBING ATTENTION / ATTENTION CAPTURE

  • Introduction To Grabbing Attention a/k/a Attention Capture
  • The Theory of Attention Capture
  • More on Attention Capture: @Naval
  • More on Attention Capture: The Power of The D
  • Sequencing
  • Incongruity (In the Car)
  • Incongruity (Lavar Ball)
  • Incongruity (Jim Carrey)
  • Lock & Key
  • Lock & Key #1 (Denzel Washington)
  • Lock & Key #2 (Denzel Washington)
  • Lock & Key #3 (Trevor Noah)
  • Attention Isn't About How Good You Are
  • Attention Isn't About How Good You Are (How Ridiculous)
  • Attention Isn't About How Good You Are (Neil deGrasse Tyson)
  • Competitive Differentiation
  • Competitive Differentiation (Tai Lopez)
  • Competitive Differentiation (Tai Lopez - 2nd Clip)
  • Frontloading
  • Frontloading (Tony Robbins)
  • Frontloading (Jocko Willink)
  • Preloading.mp4
  • Frontloading (Tai Lopez)
  • Borrowing Credibility
  • Borrowing Credibility (Anthony Bourdain)
  • Borrowing Credibility (Jason Capital)
  • Reverse Credibility
  • Reverse Credibility (Tai Lopez)
  • Reverse Credibility (Tai Lopez - 2nd Clip)
  • The Two "Attractors"
  • Attractor #1 (Tai Lopez)
  • Attractor #2 (Dan Pena)
  • Debunking
  • Debunking (Grant Cardone)
  • Relation
  • Relation #1 (Grant Cardone)
  • Relation #2 (Grant Cardone)
  • Calling Out
  • Calling Out (Tai Lopez)
  • Calling Out (Tai Lopez - 2nd Clip)
  • Calling Out (Gary Vaynerchuk)
  • Calling Out (Gary Vaynerchuk - 2nd Clip)
  • Calling Out (Jason Capital)
  • Thematics
  • The Big Mystery
  • The Big Mystery (Ray Lewis)
  • The Big Mystery (Karen X)
  • The Big Promise
  • The Big Promise (Ben Affleck in "Boiler Room")
  • The Big Promise (Lavar Ball, Lonzo Ball & Jimmy Kimmel)
  • The Big Promise (Daniele Leslie)
  • The Big Question
  • The Big Question (Ray Lewis)
  • The Big Question (Simon Sinek)
  • The Big Question (Colin Cowherd)
  • The Big Question (Anthony Bourdain)
  • The Big Mistake
  • The Big Mistake (Colin Cowherd)
  • More on Thematics: Other Big Attention Grabbers
  • More on Thematics: Positioning
  • Novelties
  • Novelties (Tai Lopez)
  • Novelties (Tai Lopez - 2nd Clip)
  • Novelties (Will Smith)
  • Summary: Attention Capture Recapped
  • Final Note On Grabbing Attention: When They Zig, You Zag
  • When They Zig You Zag (The Bear In The Street)
  • When They Zig You Zag (Chris Broussard)

CONTENT DELIVERY / KEEPING ATTENTION

  • Introduction To Content Delivery & Keeping Attention
  • First Principles: Keeping Attention
  • Contrast
  • Contrast #1 (Grant Cardone)
  • Contrast #2 (Oprah Winfrey)
  • Contrast #3 (Ray Lewis)
  • Contrast #4 (Gary Vee)
  • Asides
  • Asides (Oprah Winfrey)
  • Asides (Oprah Winfrey - 2nd Clip)
  • Asides (Neil deGrasse Tyson)
  • Asides (Charles Barkley)
  • An Important Concept: Structure
  • The Fake Intermission
  • The Fake Intermission (Dan Lok)
  • The Fake Intermission (Oprah Winfrey)
  • Roadmap
  • Roadmap (Matthew McConaghey)
  • Roadmap (Simon Sinek)
  • Roadmap (Skip Bayless)
  • Roadmap (Jenny Taft)
  • Roadmap (Future Pacing)
  • Priming
  • Priming (Tai Lopez)
  • Priming (Gary Vaynerchuk)
  • Priming (Gary Vaynerchuck - 2nd Clip)
  • Priming (Stephen A. Smith)
  • Projection
  • Projection (Denzel Washington)
  • Projection (Neil deGrasse Tyson)
  • Projection (Grant Cardone)
  • Reiteration
  • Reiteration (Tai Lopez)
  • Reverse Qualifying
  • Reverse Qualifying (Oprah Winfrey)
  • Coining
  • Coining (Tai Lopez)
  • Coining (Chi Ning Chu)
  • Coining (Anthony Bourdain)
  • Coining (Dan Pena)
  • Storytelling
  • Storytelling (The Entrepreneurial Age)
  • Storytelling (Denzel Washington)
  • Storytelling (Simon Sinek)
  • Storytelling (The Princess Weiyoung)
  • Storytelling (Anthony Bourdain)
  • More of Storytelling: The Shape of Stories
  • More On Storytelling: The Hero's Journey
  • The Hero's Journey (Oprah Winfrey)
  • The Hero's Journey (Anthony Bourdain)
  • Checking The Underside
  • Checking The Underside (Colin Cowherd)
  • Checking The Underside (Jocko Willink)
  • Checking The Underside (Stephen A Smith)
  • Checking The Underside (Joe Rogan)
  • Relate
  • Relate (Oprah Winfrey)
  • Relate (Oprah Winfrey - 2nd Clip)
  • Relate (Simon Sinek)
  • Actionize
  • Actionize (Denzel Washington)
  • Actionize (Nick Wright)
  • Actionize (Colin Cowherd)
  • Actionize (Mike Greenberg)
  • Actionize (Will Smith)
  • Checking In
  • Checking In (Tony Arcuri)
  • Checking In (Oprah Winfrey)
  • Checking In (Jason Capital)
  • Checking In (Nick Wright)
  • Holding Out
  • Holding Out (Ray Lewis)
  • Holding Out (Jason Capital)
  • Repetition
  • Repetition (Denzel Washington)
  • Metaphorical Speaking
  • Metaphorical Speaking (Colin Cowherd)
  • Metaphorical Speaking (Anthony Bourdain)
  • Metaphorical Speaking (Colin Cowherd)
  • Metaphorical Speaking (Nick Wright)
  • Metaphorical Speaking (Charles Barkley)

NON-VERBAL COMMUNICATIONS AND MORE

  • It's Not What You Say, But How You Say It (and Who Is Saying It)
  • Contrast (Yet Again)
  • Hand Gestures
  • Hand Gestures (Rocky Balboa)
  • Hand Gestures (Oprah Winfrey)
  • Hand Gestures (Gary Vaynerchuk)
  • Hand Gestures (Trevor Noah)
  • Pace
  • Pace (Denzel Washington)
  • Pace (Ray Lewis)
  • Pace (Neil deGrasse Tyson)
  • Energy & Emotion
  • Energy & Emotion (Ray Lewis)
  • Energy & Emotion (Martellus Bennett)
  • Energy & Emotion (Logan Paul)
  • Pitch
  • Pitch (Denzel Washington)
  • Tone
  • Tone (Naval Ravikant)
  • Tone (Dan Pena)
  • Inflection
  • Inflection (Denzel Washington)
  • Inflection (Oprah Winfrey)
  • Inflection (Oprah Winfrey - 2nd Clip)
  • Strategic Silence
  • Strategic Silence (Jocko Willink)
  • The "Special Sauce"
  • The "Special Sauce" (Oprah Winfrey)
  • The "Special Sauce" (Oprah Winfrey - 2nd Clip)

CASE STUDY: THE MONDAY MORNING VIDEO

  • Introduction to The Monday Morning Video
  • The Monday Morning Video
  • Analysis of The Monday Morning Video

CASE STUDY: LIVE A LIFE OF SIGNIFICANCE

  • Introduction to Live a Life of Significance
  • The Live a Life of Significance Video
  • Analysis of Live a Life of Significance Video

ATTENTION SECRETS FROM THE DARK SIDE

  • Introduction to the Dark Side
  • Sith Lord #1
  • Sith Lord #2
  • Sith Lord #3
  • Sith Lord #4
  • Summary: Lessons From The Dark Side

FRAMES FOR ELITE EXPOSITIONAL SPEAKING

  • Five Frames For Elite Expositional Speaking
  • Frame #1
  • Frame #2
  • Frame #3
  • Frame #4
  • Frame #5